Author Archives: Carolina Quintanilla

Kathleen Quillian artist interview

Artist Interview: Kathleen Quillian

How did your preoccupation with metaphysical cultural practices manifest in your creative process with Expanded Views? My interest in metaphysical cultural practices comes from a fascination with how people attempt to understand, manifest, manipulate or otherwise connect with the unknown. This …

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Timeless Motion, Closing Reception, March 17

Join the artists and curators of Timeless Motion for a closing reception, Thursday, March 17, 6–9pm. The closing reception opens with a short screening of projects made in cinegram and animation workshops led by Timeless Motion curators for the students of Sixth Street Photography …

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Taharka Chango in the Ramp Gallery, December 15–January 19, 2016

My artwork is a reflection of my soul and belief- system. My work is also a proud depiction of my cultural ideologies. My newest collection ‘Renewal’ consists of Oil paint and mixed media. It displays a high key color spectrum …

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Artist Interview: Paula Wilson

Your piece is titled City Girls in the Desert. What does the contrast between women in the city and nature symbolize? When City Girls find themselves in the desert they are awestruck by the emptiness, by the ridiculously blue sky, and …

Wendaabang: Biidaaban (East: Dawn Comes)

Visions into Infinite Archives: Interview Roundup

Here you can find the interview roundup for Visions into Infinite Archives. Visions Into Infinite Archives, a group exhibition curated by Black Salt Collective, honors the non-linearity of time and creates an interactive and infinite archive of universal depths. The exhibition not only …

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Artist Interview: Postcommodity Collective

Place seems to be an important theme in your video installation “Gallup Motel Butchering.” Can you explain what you mean by “non-place” in the context of your work? Cristóbal Martinez: A non-place is a phenomenon of the built environment in the context …

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Artist Interview: Natalie Ball

This piece carries collective tribal history and individual experiences from the 1800′s to current day. How did this influence your creative process? “Circa Indian” is my first installation and my first attempt at meshing historical narratives with counter memory, a …

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Maegan Wynn in the Ramp Gallery, November 30–December 12, 2015

What is it that moves you?  Could it be a single identifiable moment that sets one into motion? Is it a multidimensional sum of experiences that brings a person to one place over another? Or is it subtle, an inexplicable …