What: Electronic Pacific
When: July 12–August 17, 2013. Gallery hours: Tuesday–Friday, 12–7pm, and Saturday 12–5pm. Opening reception Thursday, July 11, 6–9pm.
Where: 934 Brannan St. (between 8th & 9th)
How Much: Free admission.
SOMArts Cultural Center presents Electronic Pacific, a group visual art exhibition that investigates the liminal spaces of language translation, digital communication as a visual art medium, and trans-oceanic cultural exchange. Local and international artists with connections to the Pacific Rim transform shipping containers into installation spaces to showcase time-based media and electronic communications as transitional cultural space. These containers symbolize the mercantile routes that have defined intercultural exchange around the Pacific for many years, as well as the way culture is conveyed, packaged, and disseminated.
“Many geopolitical and and nationalistic identities evolved from a terrestrial understanding of cultural communities, but today, due to global digital telecommunication, one could redraw cultural maps to conceptualize the West Coast of the United States as the East Coast of the Pacific Ocean. New modes of communication can operate in a supra-national modality to swiftly redefine cultural norms.” — Justin Hoover, SOMArts Curator & Gallery Director
Juan Luna-Avin depicts the punk movement as a cultural phenomena from the perspective of 60 Pacific Rim countries through a large-scale, conceptual cartography mural. Fragments of information, such as names of bands, characters, phrases, and dates, create a chaotic network of information addressing the reintroduction of punk identities and cultural history.
Jenny Odell, Lizabeth Eva Rossof and An Xiao explore notions of authorship in a digital age. Jenny Odell, a cameraless photographer, uses satellite images from Google Maps as a content source for her image production. Odell’s photo collages depict industrial objects of trade and transport around the Pacific extracted from their original surroundings and regrouped to create intricate, visual archives of similar objects.
Rossof communicates extensively through email and digital images with painters working in the replica production, commission and decorative painting industry in Xiamen, China, who produce her work. On display will be a series of 9, salon-style self-portraits in oil of each of the Xiamen artists commissioned by Rossof. Since many of these artists had never utilized their photo-realistic painting skills to create a self-portraits, the novel request forces the artists to grapple with new forms of representation and stylization, and to question the identity politics of the self.
Rossof also screens a 14 minute documentary featuring these 9 painters during the opening reception on Thursday, July 11, 6–9pm; screenings will begin every half-hour. Artist An Xiao, who draws ties between the movement and storytelling in the Lascaux cave paintings and the .gif, will also facilitate at the opening reception an audience-participatory installation “Grotte de l’Internetz” in which popular memes and internet images are translated into stencils and painted on rocks.
Samoan visual artist Vaimaila Urale traces family and cultural roots in the production of new media artwork. “Typeface,” a tattoo project, utilizes the history of traditional tattoo iconography to create all new text-based Polynesian inspired tattoos transposed into digital interactive artwork. Urale will design a set of real tattoos both permanent and temporary to be administered during the gallery opening.
Participating guests can retrieve their rocks and participate in a .gif creation workshop facilitated at a closing reception on Thursday, August 15, 6–9pm.
Lynn Marie Kirby, gal*in_dog aka Guillermo Galindo and Huang Xiaopeng focus on the intersections of language and the global economy. Guangzhou artist Xiaopeng employs Google translator tools to continually translate certain key phrases by Chinese politicians on the subject of globalization back and forth between target languages until the translation degrades to a poetic jumble, suggestive simultaneously of cohesion and degradation.
Xiaopeng also contributes a series of videos in which he features hip-hop artists pop culture references and soundbites translated between Chinese and English and vice versa, expressing in a playful way the unmooring of meaning and cultural signification through translation.
Lynn Marie Kirby utilizes salt, a shipping container and video to deal with language and the gaps in understanding created at the limits of technology. For Kirby, salt references the transition from a local to a global economy. The harvesting of this material traces a significant historical trajectory in the Bay Area landscape and California history, and mirrors a national trend of increased outsourcing, largely to Chinese mines.
Convergence Line: A Mixed Reality Concert accompanies the exhibition on Thursday, August 1, 2013, 7–9pm, free admission. Referencing oceanography, the convergence line is the point in the ocean where tidal forces meet. For this special event to accompany the group exhibition Electronic Pacific, the audience gathers in the gallery among the art to witness the convergence of punk rock and electronic music forces from around the Pacific Rim. Performing artists are based in Los Angeles, San Francisco and San Jose, California and Jakarta, Indonesia, and one of four performances is experienced through the aid of live-streamed projection on the gallery wall.
The following accompanying events are free to attend:
Opening reception with Live Tattoos, Performance & Film Screening
Thursday, July 11, 6–9pm
Convergence Line: A Mixed Reality Concert
Thursday, August 1, 2013, 7–9pm
Make It Move: GIF Talk & Creation Workshop
Thursday, August 15, 2013, 6–9pm
Exhibiting artists include:
gal*in_dog aka Guillermo Galindo
Lynn Marie Kirby
Allison Leigh Holt
Laura Hyunjhee Kim
Lizabeth Eva Rossof
Performing artists include:
Beige (Kent Long & Vanessa O’Neil)
Jacqueline Kiyomi Gordon
Desmadre en Krisis
Pictured above: Jenny Odell, 195 Yachts, Barges, Cargo Lines, Tankers and Other Ships (2010)